1/1/2023 0 Comments Bono range place![]() ![]() ![]() Gain structure is the single most overlooked component of EQ’ing anything. What does the venue require? While it looks impressive to have a zillion watt system in the venue, typically, a small system, properly optimized and rung out, will sound BETTER in the room than a large, overpowered feedback generation device of a system. Learn the EQ curves of your mics (the little sheet of paper that comes with most mics will help you here) and set your PA accordingly.Ģ. Everyone likes to look through the latest book of goodies, but you still have to “run what you brung”. All of the equipment and thought process really boils down to three things, in my experience:ġ. ![]() I have been running sound for around 30 years at a professional level. This is where a lot of muddiness in a vocal can be found. One last VERY HELPFUL TIP! Clean up a male vocal by cutting 3-6 dB in the 250 to 350 Hz range. Also, lowering other channel volumes can bring the boost that you need. Cut that small frequency band in the other. Cutting frequencies is often the cure.įor example, if two instruments share common frequencies and you want one instrument to stand out, don’t boost the frequency for that instrument. However, with EQ and even cross-channel balancing, this isn't always the case. Maybe it’s something deep within our minds that says “ if there is a problem with the sound then we need to boost the good frequencies to makeup for it.” Check out this post on vocal microphone properties.For example, I pick a vocal microphone with a natural EQ bump or cut that is what that singer needs. I pick the microphone that does some of the work I need. ![]() I’ve adapted this idea into microphone selection. As he put it, “let the angle of the club do the work.” My accuracy increased and my score dropped – a double win! One day, a pro told me to use the next club up and swing easy. Because of this, my accuracy left a lot to be desired. I play golf and I used to smash the ball as hard as possible with whatever club I used. Reverb and effects weren't mentioned here as those only happen after doing all your EQ work. We just need to know the bad to help identify the good.Īdditionally, if you have singers with slightly wavering voices or young singers – teenagers, you can add a little vocal reverb effect that will even out their vocal fluctuations. Once you hear what is bad, it’s easier to then move the dial until you hear what sounds good. Move the EQ dials, one at a time, to an extreme. The best thing you can do is get a solo track of a vocal on CD (or do this during practice). ![]()
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